The Moving Image and Sound Archive Portal at the Griffith University Art Museum presents a rotating program of curatorial projects that recontextualise and provide access to screenings from Griffith University Art Collection’s Moving Image and Sound Archive, one of the largest collections of Australian early experimental video art. The archive offers a unique and detailed account of pivotal moments in Australian art history.
As of November 2022, I have curated four projects for the portal, each accompanied by a contexutal essay:
Cut: The Body as Collage
Featuring work by Linda Dement, Mikala Dwyer and Robyn Webster
(15 September - 5 December, 2022)
VNS Matrix: ‘Beg and Jen in the Bonding Booth’
(10 June – 15 September, 2022)
Staging Sites: Tracey Moffatt and Jill Orr
(25 March – 9 June, 2022)
Screen as Architecture
Featuring work by Peter Alwast, Brook Andrew, Lisa Andrew and Lauren Berkowitz, Denis Beaubois, and Kelly Hussey-Smith
(2 December 2021 – 12 February, 2022)